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Apoc(alypse) character set & alternates was released in 2018 and updated in 2020 & 2022 by Matthieu Salvaggio. Cyrillic languages was designed by Ilya Ruderman (Tomorrow Type). Defined by designers as the most popular typeface of contemporary independant design, Apoc is an elegant, expressive font family, perfect for bold designs focusing on heavy font uses.
Apoc is an elegant, expressive font family, perfect for bold designs focusing on heavy font uses. Apoc is an elegant, expressive font family, perfect for bold designs focusing on heavy font uses. Apoc is an elegant, expressive font family, perfect for bold designs focusing on heavy font uses.
Excerpt from Blaze Type’s home video
Designed by
Matthieu Salvaggio, Tomorrow Type
Released in
2018
Updated in
2020, 2021, 2022
Export
.OTF .WOFF .WOFF2 .TTF (Variable)
Developed for
Latin European and Cyrillic 
Abaza, Abkhaz, Adyghe, Afar, Afrikaans, Aghul, Albanian, Altai, Aranese, Aromanian, Avar, Aymara, Azeri (Cyrillic), Azeri (Latin), Balkar, Bashkir, Basque, Belarusian, Bemba, Bislama, Bosnian, Breton, Bulgarian, Buryat, Catalan, Chamorro, Chechen, Cheyenne, Chichewa, Chokwe, Chukcha, Chuukese, Chuvash, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dargin, Dolgan, Dungan, Dutch, Enets, English, Esperanto, Estonian, Even, Evenki, Faroese, Fijian, Finnish, French, Frisian, Friulian, Ga, Gagauz, Galician, Ganda, German, Gikuyu, Greenlandic, Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Ingush, Interlingua, Irish Gaelic, Italian, Itelmen, Javanese, Kabardian, Kalmyk, Karakalpak, Karelian, Kashubian, Kazakh, Khanty, Kildin Sami, Kinyarwanda, Kirghyz, Kiribati, Kirundi, Kituba, Komi, Kongo, Koryak, Kumyk, Kurdish, Kwanyama, Ladin, Lak, Latvian, Lezgian, Lingala, Lithuanian, Luxemburgish, Macedonian, Malagasy, Malay, Maltese, Manci, Maninka, Manx, Māori, Mari, Marshallese, Moldovan, Mongolian, Montenegrin, Mordvin (Erzya), Mordvin (Moksha), Náhuatl, Nanai, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Nenets, Nganasan, Nivkh, Nogai, Norn, Norwegian, Nyanja, Occitan, Oromo, Ossetic, Otomi, Palauan, Pedi, Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Russian, Rusyn, Rutul, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Sango, Sardinian, Scottish Gaelic, Selkup, Serbian, Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tabasaran, Tagalog (Filipino), Tahitian, Tajik (Cyrillic), Tatar, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Turkmen, Tuvan, Twi, Udmurt, Ukrainian, Umbundu, Uzbek, Venda, Veps, Welsh, Wolof, Xhosa, Yakut, Yoruba, Zulu
Apoc Normal
Apoc Revelations
Apoc Sans
Apoc is a typeface family revolving around 26 fonts + Variable.

The design process started with the finding of a lettrage (APOCALYPSE; uppercases only) made for a book about the Book of Revelations. Something refreshingly new in the way the counter-forms were displayed made us want to dig deeper. Based on the few characters we had originally, Apoc was born: with agressive serifs, sharp as if there were cut by a knife.

Design process
With agressive serifs, sharp as if there were cut by a knife. With agressive serifs, sharp as if there were cut by a knife. With agressive serifs, sharp as if there were cut by a knife.
Apoc Sans & Apoc Revelations
Apoc Sans & Apoc Revelations
Lots of Alternate Glyphs
Lots of Alternate Glyphs

Apoc, the battle between Light & Dark.

“As I stood upon the
sand of the sea…”

While proofing the font - originally meant for a display usage - we became intriqued by the optical gray obtained when it was used on plain text. Apoc strangely brings up the page’s lightness forward. Enlightening layouts, letting the light come through. A sans serif version was also added later for that purpose. Below some enlightening use of Apoc :

Enlightening layout
  • Mary Universe’s website — mary-universe.com
  • ADC 99th Annual Awards call for entries — oneclub.org
  • Les Ailleurs festival — gaite-lyrique.net
  • Les Ailleurs festival — gaite-lyrique.net
  • Women in the forest website — womenintheforest.net
  • Acla Essentials — acla.ch
1/3Mary Universe’s website

Font Pairing

Being able to provide great tools for designers to work with is one of the foundry’s core of action. It was a pretty straightforward decision to answer what seemed to be their users demands for a sans typeface. One which would be more reader-friendly — and thus being able to be paired with their other fonts.

Being able to provide great tools for designers to work with is one of the foundry’s core of action. It was a pretty straightforward decision to answer what seemed to be their users demands for a sans typeface. One which would be more reader-friendly — and thus being able to be paired with their other fonts.

Being able to provide great tools for designers to work with is one of the foundry’s core of action. It was a pretty straightforward decision to answer what seemed to be their users demands for a sans typeface. One which would be more reader-friendly — and thus being able to be paired with their other fonts.

Being able to provide great tools for designers to work with is one of the foundry’s core of action. It was a pretty straightforward decision to answer what seemed to be their users demands for a sans typeface. One which would be more reader-friendly — and thus being able to be paired with their other fonts.

Being able to provide great tools for designers to work with is one of the foundry’s core of action. It was a pretty straightforward decision to answer what seemed to be their users demands for a sans typeface. One which would be more reader-friendly — and thus being able to be paired with their other fonts.

Apoc and Neue Helvetica in use by Pénélope Delaur for Mauella
Apoc and Neue Helvetica in use by Pénélope Delaur for Mauella
Apoc and Clarkson in use by Angela Milosevic, Pei Liew & Ignasi Monreal for Squarespace Apoc and Clarkson in use by Angela Milosevic, Pei Liew & Ignasi Monreal for Squarespace Apoc and Clarkson in use by Angela Milosevic, Pei Liew & Ignasi Monreal for Squarespace
Apoc and Clarkson in use by Angela Milosevic, Pei Liew & Ignasi Monreal for Squarespace
Apoc, Kraft and Surt in use by Álvaro Donquiles for Mutek festival
Apoc, Kraft and Surt in use by Álvaro Donquiles for Mutek festival

Apoc does wonders when displayed in headlines and brings the lightness of your layouts up when used in plain text in smaller sizes. This font-family will work greatly with covers and text layouts. whether they be books, magazines, music albums or plain visually appealing headlines on websites. It will do marvels if you want to balance your layout's optical gray and play with the light and dark side of your work.

It will do marvels if you want to balance your layout's optical gray and play with the light and dark side of your work. It will do marvels if you want to balance your layout's optical gray and play with the light and dark side of your work. It will do marvels if you want to balance your layout's optical gray and play with the light and dark side of your work.